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DOI10.1080/17450918.2024.2309896
Hamlet at the Himalayan Border: Frontier Imaginaries in Hu Xuehua's Prince of the Himalayas and Vishal Bhardwaj's Haider
Lee, Jason Eng Hun
发表日期2024
ISSN1745-0918
EISSN1745-0926
英文摘要This article discusses Hu Xuehua's Prince of the Himalayas (2006) and Vishal Bhardwaj's Haider (2014) across overlapping local, regional and (inter)national imaginaries of Tibet and Kashmir, and considers the possibilities of rendering the story and circumstances of Hamlet legible within these borderland contact zones. With their exotic backdrop of snowy mountains, rugged frontiers and majestic rivers, these two films can be seen recreating a troubling politics of appropriation at a time of renewed tensions in the Himalayan region. I argue that despite using Shakespeare's cultural capital to depict local conditions and affirm their own political agency, Hu and Bhardwaj's ultimate rejection of Hamlet's revenge motif continue to challenge domestic and international viewers, particularly in their attempts to situate these films within a heterogeneous national cinema encompassing minority cultures in New Chinese Cinema and Bollywood respectively.
英文关键词Postcolonial Shakespeare; Asian Shakespeare; Bollywood; New Chinese Cinema; Kashmir; Tibet
语种英语
WOS研究方向Literature ; Theater
WOS类目Literature, British Isles ; Theater
WOS记录号WOS:001155764600001
来源期刊SHAKESPEARE
文献类型期刊论文
条目标识符http://gcip.llas.ac.cn/handle/2XKMVOVA/309962
作者单位Hong Kong Baptist University
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GB/T 7714
Lee, Jason Eng Hun. Hamlet at the Himalayan Border: Frontier Imaginaries in Hu Xuehua's Prince of the Himalayas and Vishal Bhardwaj's Haider[J],2024.
APA Lee, Jason Eng Hun.(2024).Hamlet at the Himalayan Border: Frontier Imaginaries in Hu Xuehua's Prince of the Himalayas and Vishal Bhardwaj's Haider.SHAKESPEARE.
MLA Lee, Jason Eng Hun."Hamlet at the Himalayan Border: Frontier Imaginaries in Hu Xuehua's Prince of the Himalayas and Vishal Bhardwaj's Haider".SHAKESPEARE (2024).
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